ROGUE star Michael Vartan is no Robert de Niro, just ask him. But he's getting better at his job, and he loves Australia.
It seems it's not a Spring Racing Carnival unless Michael Vartan is here.
Obviously the races are great and so much fun, but I'm here this time solely to promote Rogue
and it just happens to coincide with the races. I love Australia and I
would come here for the opening of an envelope. As you can see (showing
his tattoo), the little Southern Cross action. I got it the week I got
back from shooting Rogue.
I've truly fallen in love
with this country. I want to move here one day if they'll have me. I
love everything about it: the people, the atmosphere, the mentality, the
difference of culture in the north and south, the landscape. Everything
about this country is fascinating to me. I feel at home here, I feel
free, I feel happy. No one cares what you drive, what you do. It's a
very, very honest way to live and it suits me. It's pretty much the
antithesis of Los Angeles.
I got off the plane two years ago to shoot Rogue and it
was a weird feeling. I felt tingly and thought, wow, I love it here. I
hadn't even been through Customs. And it took me about two months to
realise you really weren't full of s---, that you really are that nice. I
thought, come on, this can't be real, no one's this nice. It's a
wonderful place and I love it dearly.
Rogue marks the second time you've worked with an Australian director, after Robert Luketic on Monster-in-Law. You've said you didn't have the greatest time on that movie.
I
had a great time on a personal level. It was an incredibly easy shoot
for me, very short days. Mr Luketic -- who I think is one of Melbourne's
own -- is not one of those guys who shoots 14, 15 hours a day. What I
meant was my part I felt was rather boring. It was one of those parts I
couldn't turn down. You get to work with Jane Fonda and Jennifer Lopez,
you kind of have to do it no matter what the part calls for. But as for
having a character, I didn't feel I had one. Most of the time I stood in
the corner and smiled.
You're now on the TV show Big
Shots. Is it a risk to sign on for a TV series that might require you to
turn down your dream movie role?
The funniest question
I'm ever asked is, ``So, why did you decide to come back to TV? What
would you like to do next?'' Well, you idiot, I'd like to have Matt
Damon's career. What do you think? I'd like to work with Leonardo
DiCaprio in the next Scorsese film. What a stupid question.
You
think I do movies where I don't have any lines because I want to? You
think I sign my life off on a six-year deal for television because I
want to? No. I want to be off shooting Pirates of the Caribbean with Johnny Depp for seven months in the Bahamas. Are you kidding me?
Funnily
enough, one of my strengths is I understand my place in the business
very well. I know what is realistic for me to achieve and what things
are a bit of a stretch, and I've been around long enough to know I
should stay away from certain things that I don't think are that good.
When you say you're realistic, do you mean you're realistic about your own abilities, or about how people perceive you?
I'm
not Sean Penn, I'm not Robert De Niro. My agents tell me not to say
that, but it's the truth and f--- 'em. I'm a good actor, I've been doing
it for 20 years, I've become better as I've gone along and hopefully
continue to improve. There are a lot of things I feel I can do that
would shock people, but I mean more in terms of how the industry
perceives me.
I believe I could land the fifth starring role in the next Pirates.
I could be in a movie with Sean Penn, Robert Redford, Meryl Streep,
Joaquin Phoenix and then me. For me to get the lead over Sean Penn in a
movie? Pretty unlikely at this point. It could happen, stranger things
have happened, but that's what I mean in terms of being realistic. I
don't call my agent saying, "Hey, how come I'm not starring across
Jessica Biel in the next . . .?'' Well, because no one knows who you
are, buddy. Well, not exactly, I've been around, but I don't put butts
on seats in theatres.
That's very honest.
It's the truth, isn't it? I'd rather see an Orlando Bloom movie than a Michael Vartan movie any day.
One
reason I can be honest about it is I really don't care about the
business enough. When I get a job I feel unbelievably fortunate because I
know how hard it is to work in this business. But we're not curing
cancer, we're not feeding children. It's just a f---ing movie, it's just
a TV show.
It's great and entertainment is hugely necessary in
this day and age when you turn on the news and everyone's getting killed
and blown up. But at the end of the day I can't take myself seriously
when an EMS (emergency medical services) worker who's scraping two dead
bodies off the sidewalk after a car accident is getting paid less than
me.
You have to take it with a grain of salt. I feel incredibly
fortunate. I get to travel, to come to Australia and talk to you and see
incredible things that very few people see in the Northern Territory.
Who gets to do that? I wouldn't get to do that if I worked in a
hospital, but I'd be saving lives.
It's just my chosen
profession. It is what it is. I take it for what it is. I don't give it
too much credence, but I don't disrespect it either because it's a very
lucky position to be in. And I didn't say I suck as an actor.
So you were never one of those guys who started in school plays and dreamed only of acting?
I never wanted to act. To this day -- I've been doing it for 20 years
-- it's the hardest thing I've ever done. It's very hard to be on screen
with 30 people staring at you, a camera in your face, a boom up your
rear end and another actor who half the time is fast asleep off camera
and to pretend none of that's happening and cry and act like your
mother's dying. That's a very hard thing to do. It's a strange thing to
do as well. "What do you do for a living?'' I pretend to be other
people.
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